
POLLOCK - R-RATED
Pollock is actor Ed Harris' (he also directed) homage to American abstract painter Jackson Pollock
who revolutionized the style in the 1950's. Jackson Pollock was a tortured soul who suffered for his
art or rather caused his own suffering through his most self-destructive behavior of alcoholism
and self-doubt.
It begins in Greenwich Village, New York in the late forties where Pollock is a struggling
artist whose only real fan
seems to be Lee Krasner (Marcia Gay Harden), another struggling artist. But in Pollock
Lee sees genius and so begins a decades-long love affair of his art and the man who creates it.
She indeed has her hands full because Jackson Pollock is a mentally unstable individual whose
symptoms include alcoholism, self-loathing and abusiveness. He is at times so self-centered he can't
even acknowledge Lee's existence in his life and that's even after they've been living together for a while.
But, it is through her connections and efforts that Pollock reaches a measure of fame, even
appearing on the cover of Life Magazine. He is renowned for creating "splatter art", a technique
of dribbling paint from a brush onto a canvas that art minded people believe revolutionized abstract art,
popular at the time. Looking at it, you may wonder about that. In any case, being the self-
destructive personality that he is, Pollock does little more with that fame than pissing it away -
engaging in an extramarital affair with a young woman (Jennifer Connelly) and then dying in a
car crash, killing one
of the two young women who were with him.
Also features: Amy Madigan as Peggy Guggenheim, Jeffrey Tambor as critic Clement Greenberg,
Bud Cort as Howard Putzel, John Heard as Tony Smith, Val Kilmer as artist Willem de Kooning.
Lotta says: Pollock's life as the artist is well defined - we see the major works of art that brought him recognition -
but what causes his demons is what's missing and all you
get is one horrible character exhibiting the same horrible behavior over and over again
throughout what seems like a very long exercise. There are no shadings to Pollock. He's a man
hard to stomach and frankly so is this movie. Performances are decent; scenes are beautifully directed.
The story is what fails us. As for his art - I'd have to say, I'm not a fan.
Reviewed 2/1/01
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